The Sword of No Sword
The Life of Zen Warrior Yamaoka Tesshu
Book Review
The Sword of No Sword - The Life of Zen Warrior Yamaoka Tesshu Book Review Vincent Cooper
Please take a second to support this site by sharing this page with your friends
Share
Subscribe to our RSS feed to stay up to date or follow us on Twitter or Facebook.
Authored by John Stevens, a practicing aikidoka and a professor of Buddhist Studies at Tohoku Fukushi University, this work tells the story and philosophy of master Zen Warrior Yamaoka Tesshu. Tesshu was a man who lived in Japan's turbulent nineteenth century, the time of the Meiji Isshin, the revolution / restoration that saw the end of the Tokugawa Shogunate and the re-establishment of the Imperial throne at the head of Japan. The same period saw the modernization of Japan which provided the backdrop for the decline in the relevance of the samurai class and a move to a modern, conscript army. These events are captured in the historical drama The Last Samurai starring Tom Cruise and Ken Watanabe, which is loosely based on the rebellion led by Saigo Takamori. As the esteem with which the samurai had previously been held waned and modern weapons made the katana redundant the martial arts of the warrior class found themselves anachronistic. In response the battlefield arts reinvented themselves to promote a way of life through the study of a combative discipline. Kenjutsu became kendo, the way of the sword. Other arts would follow, most notably in the twentieth century when ju jutsu became judo, Okinawan te became karate do and aikijutsu became aikido. At the forefront of the initial shift was Yamaoka Tesshu, the Miyamoto Musashi of his time, a master swordsman, Zen master, expert calligrapher and a man whose wisdom and philosophy transcends time. Ono Tetsutaro, the child who would later become famous as Yamaoka Tesshu, was born on June 10, 1836. At this time the Tokugawa Shogunate was still in power and Tesshu's father was a retainer of good standing. He began to study the Way of the Samurai in the holistic sense when he was 10, becoming immersed in martial arts and classical learning. His father also pushed him to practice Zen to fortify his mind. Although versed in Confucianism, the young Tesshu found Buddhism more appealing and practiced zazen (seated meditation) and made daily offerings to Kannon, the Goddess of Compassion. While still a teenager both his parents died and Tesshu grew up quickly, heading his large family and caring for everyone. Despite his heavy responsibilities Tesshu never neglected his martial practices and enrolled in the sojutsu (spear fighting) school of the legendary Yamaoka Seizan. This master trained like no other and had his spiritual realization in his early twenties while fighting opponent after opponent for 24 straight hours. This ascetic training had a very big impact on Tesshu and would be a key point in his teaching of the pursuit of the sword of no sword. As well as being a fearsome fighter Yamaoka Seizan also preached a useful philosophy. Once he said "If you want to attain true victory, broaden your understanding of virtue. No enemy can defeat a man of superior virtue. Attempting to win through exclusive reliance on technique will lead you nowhere." This kind of idealism had a big impact on the young Tesshu and won his respect. After his teacher's death Tesshu would tend his grave. These actions, at least in part, impressed Seizan's sister and she insisted on marrying Tesshu and thus he was married in 1855, taking the family name Yamaoka. Around this time he also became involved in politics and joined the Shogunate in 1856 as a minor official. The Sword of No Sword paints Tesshu as being highly competitive and not one to back down from a challenge. These anecdotes, sprinkled liberally through the book, make for great reading and expose, at times, a less-than-Saintly side to the demon swordsman. His recklessness didn't stop him from advancing though and in 1867 he joined the personal guard of Shogun Tokugawa Yoshinobu. Following the Meiji isshin in 1868, Tesshu joined the new government in 1869. After different postings he returned to the capital in 1872 and became the Emperor Meiji's close confidante and aide. Despite this busy lifestyle Tesshu now began his pursuit of the sword of no sword with true diligence.
Tesshu first trained in the Shinkage Ryu style of swordsmanship at age nine (this was prior to him beginning his general study of the samurai ways a year later). He then studied Ono Itto Ryu. When he returned from his various postings to the capital Edo (Tokyo) he began touring the various training halls seeking to test his skills. During this period he became known as 'Demon Tetsu' owing to his harsh, physical, untiring approach to training. Again, The Sword of No Sword excels in coloring this period of Tesshu's life with anecdotes. After fighting thousands of matches the confident Tesshu finally met his match in Asari Gimei, a master swordsman of the Nakanishi-ha Itto Ryu. For several hours the two faced each other with every attack of Tesshu's turned aside. Finally the two men clinched and Tesshu, an imposing six footer, was able to throw his master opponent to the ground. Tesshu was pleased with his win...until he noticed marks on his breastplate indicating that Asari had struck him cleanly for the win moments before the throw. Tesshu became Asari's student and he got his first lesson him humility. Crossing wooden swords once more Asari launched a blistering series of attacks that drove Tesshu back across the training hall and out of the door...which was promptly slammed in his face! Tesshu became haunted by Asari. He turned to Zen master Ganno for help was given the koan (a Zen riddle): Originally not once thing exists. It took Tesshu ten years to solve this, but still Asari was in his dreams. He received a new koan: When two flashing swords meet there is no place to escape; Move on coolly, like a lotus flower blooming in the midst of a roaring fire, And forcefully pierce the Heavens! It took another three years of minute-by-minute introspection for Tesshu to solve this koan. Finally, at the age of 45 he realized liberation (you can read his own poem on his realization in The Sword of No Sword. Immediately Tesshu raced to the training hall to face Asari. As soon as the swords crossed Asari withdrew and never taught Tesshu again, saying only 'You have arrived.' Later he named Tesshu the inheritor of his school. Tesshu however used a different name: Muto Ryu. 'Mu' means, in the Buddhist sense, nothing, while 'to' means sword. Thus the school of no sword was born. Later still Tesshu inherited the Headmastership of the Ono Itto Ryu and changed the name of his school once more to Itto Shoden Muto Ryu. Next Tesshu established his own dojo, the Shumpukan and spiritual forging began in earnest. Students were taught to attack, attack, attack. No hesitation was to be shown and they were never to retreat. Technique would come later; the basic lesson was to endure. This continued for three years and The Sword of No Sword explains why Tesshu thought this period was so crucial. After this more advanced students progressed through three seigan, or vows to conquer death. The first was to practice for 1,000 days consecutively then face 200 opponents in succession over a day. The second was to face 600 opponents over three days and the final challenge was 1,400 opponents over a full week (200 matches a day). The idea here was to create single-minded determination. The Sword of No Sword highlights two cases of completed seigan, which make for very interesting reading. Only two students though completed the seven-day seigan, but no records of their success remain. Tesshu managed to attract some truly bizarre students and The Sword of No Sword again excels in its storytelling aspect by detailing the sometimes hilarious antics of these men.
Tesshu's two top students were Kominami Yasutomo and Kagawa Zenjiro. Kagawa was a key figure - arguably the key figure - in the development of modern kendo. He was the head instructor of the National Police Academy and traveled throughout Japan teaching a new generation of kendoka (still today policemen in Japan select training in kendo or judo as part of their duties as policemen). In turn, Kagawa's top student Ishikawa Ryuzo went on to train many of the top masters in the twentieth century, thereby cementing a link back to Tesshu. As well as the misfits, The Sword of No Sword also tells us that government officials trained with Tesshu. Another character was Asaemon the Headsman, a man who (in an official capacity) executed over 2,000 people. The details of several challenge matches are retold in The Sword of No Sword but the one that impressed me the most was Tesshu's match with Sakakibara Kenkichi, the fourteenth Headmaster of the Jikishinkage ryu. After bowing the match commences and both masters held their swords ready to strike. Both deepened their breathing and there they stood, rooted to the ground. Forty minutes passed with no movement from either one until suddenly they both sheathed their swords and bowed once more, the match over. Neither could detect the slightest opening in the other. Tesshu taught unyielding determination to move the aspirant towards enlightenment. Tesshu was not so concerned with technical ability, more the fighting spirit of his students. Spirit was all. Tesshu proved this a week before his death. Announcing that his end was near an remarking on how weak his body had become (he died of stomach cancer) Tesshu commanded that his disciples attack him with all their might. One after the other he sent them flying. 'This,' he said 'is the sword of no sword.'

Yamaoka Tesshu. Zen Warrior and Master of The Sword of No Sword.
Despite his busy schedule Tesshu pursued two vocations in his free time: kendo and zazen (seated, or kneeling, meditation). His preoccupation with Buddhism kept he and his family in poverty throughout his life. But it didn't matter to Tesshu; he had what he wanted. Unfortunately though he lost his first child to malnutrition. This kind of poverty wasn't uncommon at the time, but Tesshu chose to live this way. He received a good wage through his Imperial appointment but typically gave his money away to those they he deemed in more desperate need. Tesshu was also famous for his love of alcohol and would drink as much as half a gallon of nihon shu (rice wine) every night. His friends within his Zen circle were no better and whenever these Buddhists got together they would down glass after glass of hannya to ('hot water of transcendental wisdom'). One of his poems, translated in The Sword of No Sword, on the subject read: In retirement from the world One learns the true meaning of wealth; In joyous intoxication One probes the ancient worlds While many Buddhists may have considered Tesshu's love of sake to be inappropriate, his relationship with the young Emperor Meiji must have at times made the court officials cringe. One night, after a long drinking session, Meiji took offense to a comment Tesshu made. The Emperor fancied himself as a bit of an expert at sumo wrestling after his many 'victories' against household members (who obviously let their master win). A challenge was issued and Tesshu accepted. The match started but Tesshu was immovable. Frustrated, Meiji threw a punch and Tesshu reacted by throwing the Emperor to the ground and pinning him there. Onlookers were aghast. Tesshu was prepared to disembowel himself over the matter but the Emperor sobered up and forgave his friend, announcing that henceforth he would quit both drinking and sumo. According to The Sword of No Sword, as a result of interactions like these the young Emperor came to trust no one more than Tesshu.
The life of Tesshu and the story told in The Sword of No Sword is set against the backdrop of the Meiji era. During the Meiji period Buddhism was in decline while State Shinto gained religious and spiritual dominance. Tesshu was unfazed by this move and continued to practice his way. Even in such a dire time for Buddhism the efforts of Tesshu saw the ascetic Zen monk Hakuin, famed for commitment to practice and his caring attitude for the common people, finally recognized as a 'National Teacher'. Since then he has gone from almost complete obscurity (he never accepted governance of a major temple, hence his lack of fame) to being one of the most well-known and respected monks in the history of Zen in Japan. Tesshu himself founded a temple, Zensho an. The meaning of Zensho, The Sword of No Sword tells us is simultaneously to 'live completely' in the present moment and to 'die completely' without hesitation or regret. Tesshu wasn't shy either from discussing the issue of sex and how it related to his version of Buddhism. He claimed to have slept with 'thousands' of women in his twenties and thirties without coming closer to really understanding sexual passion. Even after his great enlightenment at 45 there was no end. It wasn't until he was 49 that he was able to finally transcend sexual passion. The Sword of No Sword tells us that his teaching on the subject was simple: throw yourself into it with wild abandon. Tessh's visits to the 'entertainment area' were so numerous that his wife finally threatened to kill herself and their children if he continued (anyone shocked by this should consider the date, the place and the fact that Tesshu was obviously a non-Christian). Before that however one of his professional acquaintances was so taken with his love-making that she initially refused an offer of being 'ransomed' to a rich client less she lose contact with 'Demon' Tesshu. The sword master had to urge her to reconsider. Those Buddhist monks who drank too much or otherwise misbehaved were transferred to one of the temples Tesshu had restored, which I think sums the man and his method of practice up very well. Tesshu's last years were spent engaged in kendo, writing calligraphy (he was a master) and doing zazen. He would exhaust himself and when he felt tired he would simply take a rest, adhering to the famous Zen observation: 'Eat when you are hungry; sleep when you are tired.' The hard lifestyle and the hard drinking finally caught up with him. He was diagnosed with stomach cancer. In spite of this he continued to follow his daily routine and didn't rest until the day he died. As the end drew near his many friends made their way to his home, each bearing a gift of money that Tesshu left instructions was to be distributed to the needy following his death. The Sword of No Sword recounts his final hours. The master bathed, changed into a white kimono and composed a death poem at the request of his disciples. He then composed himself in seiza (formal kneeling position), said his final farewells and closed his eyes to enter his final meditation. A serene smile is said to have passed over his features when the end finally came.
Although much of the story of The Sword of No Sword is, understandably, about Tesshu and his practice of kendo he was also highly regarded as being a master of shodo, or Japanese calligraphy. Parallels between the brush stroke and the sword stroke are often highly romanticized but nevertheless an investigation of the similarities between the two art forms (and there are others, such as the tea ceremony) is interesting and I certainly hold the belief that these Zen arts are effective methods of dynamic meditation that can lead directly to the experience of mushin and satori. Early in his life, at the age of eleven, Tesshu enrolled in the Jubokudo style of calligraphy, a school famous for emphasizing the spiritual rather than technical aspects of character writing (and therefore not dissimilar to Tesshu's approach to kendo). Tesshu's teacher was Headmaster Iwasa Ittei, a man famous for practicing the kanji ichi for three years and using a pint of ink a day in doing so. The character for ichi is nothing more than a single horizontal stroke and is the first character learned by a child. This emphasis on the basics is apparent in every aspect of Tesshu's life and, although The Sword of No Sword does state it as a separate point, is clearly one of the ingredient's for the kind of success Tesshu had. Tesshu wrote and sold (literally) hundreds of thousands of pieces of calligraphy in order to raise money for the restoration of temples, for victims of one disaster or another or for the construction of his temple Zensho an. At other times, when he wasn't hard up and in need of cash, Tesshu would spend hours doing his calligraphy for free for anyone who would ask...despite its high value as a 'Tesshu original'. In The Sword of No Sword we are told though that many visitors did leave a courtesy sum of money or some gift. Tesshu would put aside the money and save it for when another came looking for help. Tesshu would pass the money along, untouched by his own hands. Tesshu's dedication to helping his fellow man is revealed in the statement he would make upon completing each piece: 'Sentient beings are innumerable, I vow to save them all.' His goal was to produce 35 million pieces - one for each citizen in Japan at the time. Tesshu wrote until the day before his death.

When faced with a great challenge, act boldly without hesitation
Tesshu had a close relationship with the Emperor Meiji and frequently brushed shoulders with the most important and influential men of his era, such as Saigo Takamori. The Sword of No Sword tells us that Tesshu was identified as one of the three 'shu'. These men were Zen statesmen and were seen as public servants of the highest order. They were so-called because each of them took the character shu (meaning 'boat') as a part of his pen name. There was Katsu Kaishu, Takahashi Deishu and Yamaoka Tesshu. Kaishu, like Tesshu, was raised on a diet of Zen and kendo. He was quick to grasp the need Japan had to modernize and in 1850 he opened his own school of Western learning. He was part of the delegation that first sailed to visit the US in 1860 and came away highly impressed. In particular he drove Japan's Navy forward and is considered the 'Father of the Japanese Navy.' The second shu that The Sword of No Sword introduces is Deishu. Deishu was from a family with a strong martial arts background and they specialized in spear fighting above all else. Seizan, one of Tesshu's early teachers and a man who had an enormous impact on the young Zen warrior, was Deishu's older brother. After Seizan's death Deishu inherited the spear training hall while Tesshu married his sister. Although he never formally trained in Zen, Deishu was heavily influence by it and attempted to solve koan related to spear fighting. Following one such breakthrough he is said to have become unbeatable. He was the spear instructor to the Shogun and this led to his involvement in politics. We are told in The Sword of No Sword that Deishu had a much closer relationship to the last Tokugawa Shogun than Tesshu or Kaishu and he therefore more-or-less retired as the Meiji government was established, putting away his spear and turning to painting and writing instead. The Sword of No Sword details some important lessons from Deishu that are worth repeating here... - 'On no account should you neglect your duties to practice brushwork. Any work that is well done will improve your calligraphy by strengthening your spirit. No ancient worthy ever believed that the practice of calligraphy was limited to the actual time one is free enough to write.' - 'If a fine sword is not constantly polished, it will never show its luster. If you don't practice, you will never be able to master universals and particulars. Plenty of people can talk about Zen but not many can live it.' The Sword of No Sword is a great book and one that I have read many, many times over the years while always finding it refreshing and full of insight. Tesshu's story - like the book - does not end with The Three Shu and it includes various teachings from the Zen Warrior which I have written about here. The book is easy and fast to read and contains various anecdotes that will leave you with a smile on your face, if not laughing out loud, the first time around. Tesshu was indeed a man utterly self-confident and clearly something of a punk in his time. Many people it seems just didn't know what to make of him...and he didn't care. The Sword of No Sword is very much worth reading and keeping to re-read again in the future regardless of style of martial art you practice.
Please take a second to support this site by sharing this page with your friends
Share
Subscribe to our RSS feed to stay up to date or follow us on Twitter or Facebook. |